Occasional dream sequences permit more artistic license.
Flashbacks-and their back-to-the-future twin, flash forwards-free the filmmakers from the constraints of time, and their juxtaposition with scenes from Curie’s work in the lab shapes the narrative. As she is taken to a hospital, near death, the film cuts to flashbacks of Curie’s first days as a student in Paris in the 1890s. In fact, a lesson plan on science and scientific inquiry points teachers to Navigating Nuclear, the K–12 education program developed by the American Nuclear Society in cooperation with Discovery Education.Ī still image from Radioactive shows Rosamund Pike as Marie Curie at work in her lab.įlash forward: The film opens with Curie, played by Rosamund Pike (Gone Girl), collapsing as she begins a day’s work in her laboratory at age 66. To Amazon’s credit, the lesson plans direct teachers to balanced, reputable sources for more information.
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The writer, director, and actors in Radioactive use artistic license to interpret Marie Curie’s story-including the timeline, events, and characterizations of people represented in the film.”
A biopic is a dramatization of the real-life events of a person’s life. The film’s landing page on Amazon Prime proclaims it is “the incredible, true story of Marie Curie and her Nobel Prize–winning work that changed the world.” Amazon offers a link to lesson plans for teachers developed for release with the film and does not repeat that claim of truth, stating, “ Radioactive is a biopic and not a nonfiction biography. Yet the accuracy of some statements should not lull the viewer into believing that the picture is an accurate representation of the life of the first woman to receive a Nobel Prize, and the only person to receive a Nobel Prize in both physics and chemistry. fiction: When it comes to the science, viewers will hear several short statements of fact with the bland accuracy of a middle-school textbook. The score of Radioactive, largely set in a minor key and punctuated with sonar pings and a fire engine’s wail, creates a sonic atmosphere of otherworldly emergency that amplifies the effect of the striking and at times fanciful cinematography.įact vs.
The film adaptation was directed by Marjane Satrapi, herself the graphic novelist behind Persepolis. The film is based on a graphic novel by Lauren Redniss, published in 2010. Amazon bills the film as “a bold, visionary depiction” and “an exploration of the transformative effects of how Curie’s work has impacted the defining moments of the 20th century.” The dual aims-depicting Curie’s life and linking her to events that occurred decades after her death-strain plausibility and invite the viewer to share the filmmakers’ ambivalence about the legacy of Curie’s work.
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